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Cash, Clash & Climate
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The sculptures in this series have three themes: Cash, Clash & Climate and have been researched in museums such as the Victoria & Albert and British Museums, London; Hastings Museum, UK; Mares Museum, Barcelona; the Metropolitan Museum, New York; the Archaeological Museum, the Turkish and Islamic Art Museum, Istanbul; the Asian Museum of Civilization in Singapore and the Museo Internazionale delle Ceramiche in Faenza, Italy. Maslen & Mehra fashion the sculptures from wire and papier-mâché, completed with a decoupage technique of small tiles of archival prints. The narrative of each original plate is altered to highlight a variety of ideas tied to each theme.

Cash: For this collection the works explore bailouts, credit culture, housing bubbles, war as big business, the commodification of food staples and the almost religious status that money has reached in our times.
Clash: Social unrest from Istanbul to Athens, the use of social media to organize protests, fracking, the charged debate concerning gun control and gun rights in the US and even the London riots of 2011 feature.
Climate: This theme loosely covers environmental topics such as chronic pollution as a heavy cost for economic power in China, melting ice caps, the opposing views of climate change, El Niño, the legacy of radiation from Japans nuclear disaster and the untimely death of a sperm whale in Spain from ingesting 17kg of plastics generated for British and European supermarkets.

Climate - sculpture installation
MASLEN & MEHRA in collaboration with street artists Shuby and Delete

Towner Contemporary Art 2016
Sculptures in the Climate series:

Further installation views


48cm x 48cm x 5cm
sculpture: wire, paper-mache and archival photo decoupage

'For me, the most spectacular moments of thought were created by a collection of plates.
A nostalgic medium usually created in ceramics, but in this case recreated in paper­mache
in the hands of Maslen and Mehra, they are transformed into a sinister community 
reflective tool addressing the political, cultural and moral decisions we make and 
how they may be addressed as historical artefacts or moments in time. Almost mocking 
the way in which we now live compared to our past, they highlight our obsession with
money, power and possessions.
Ruth Page The Upcoming






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