Upcoming Projects
Press Publications & Essays


Contemporary Artspace
London 1997-2000

View Maslen & Mehra's profile on LinkedIn

Follow Maslen & Mehra on Instagram




Faith In Fiat
Bespoke trompe l'oeil marble shrine, ink and gouache currency drawings in recycled frames, faux flowers and vase collection, LED church candles. Further details

Towner Art Gallery

summer exhibition selected by Richard Billingham, Rosie Cooper and Brian Cass
Friday 21 July, 6:45pm. The exhibition continues 22 July - 1 October 2017


Supported by

The sculptures in Maslen & Mehras' current series have been based on ceramic plates researched in museums around the world. These include the Victoria & Albert and British Museums, London; Hastings Museum, UK; Mares Museum, Barcelona; the Metropolitan Museum, New York; the Archaeological Museum and the Turkish and Islamic Art Museum, Istanbul; the Asian Museum of Civilization in Singapore and the Museo Internazionale delle Ceramiche in Faenza, Italy. Maslen & Mehra fashion the sculptures from humble materials: wire and papier-mâché, completed with a decoupage technique of small tiles of archival prints. The narrative of each original plate is altered to highlight a variety of ideas tied to three themes: Cash, Clash and Climate.

These collections of sculptures individually pose questions about political, social and economic structures but together they ask how they, in turn, relate to social unrest and environmental issues. Some themes may be familiar to the viewer such as the piece, Polarized, which confronts us with opposing slogans: ‘Global warming is a cruel hoax’ and ‘Climate can’t wait’. Others are less obvious, such as the piece Article 475 which encourages the viewer to look further if they don’t understand the reference. Faith in Fiat questions the shift from commodity money to a fiat system which is effectively a promise. Is it sustainable to have such blind faith? The largest piece in the collection, Natural Capital references a system by which natural assets (water, geology, biodiversity, soil, air) and ecosystem services (pollination by insects, recreation, natural flood defences, etc.) are given a financial value. Could this alternate economic system be the key? Maslen & Mehra have created the framework Cash, Clash and Climate in order to ponder questions about the complexities of living today and they invite viewers to follow their train of thought.

Cash, Clash & Climate by Maslen & Mehra in collaboration with street artists Shuby and Delete will be on view at the Hastings Museum from 1st September - 12th November 2017.
The Cash series draws attention to bank bailouts; credit culture; The 1% and the Occupy Movement; housing bubbles; tampon tax; quantitative easing; war as big business; the commodification of food staples; and the almost religious status that money has reached in our times.

Natural Capital
78cm x 78cm x 5cm
sculpture: wire, paper-mache, and archival photo decoupage

Maslen & Mehra have responded to a piece in the Hastings Museum Collection and created a new sculpture titled Natural Capital. The 16th century, Maiolica dish by Federigo of Modena is thought to be one of the largest examples of this type of ceramics. It depicts several hunting scenes. Maslen & Mehra take this idea of nature as a resource a step further. They have altered the narrative to suggest a system by which natural assets (water, geology, biodiversity, soil, air) and ecosystem services (pollination by insects, recreation, natural flood defences etc..) are given a financial value.

The Clash series embodies social unrest from London to Athens; Article 475; the refugee crisis; Greece and the Eurozone; social media to organise protests; fracking; gun control vs gun rights; and the Dakota Access pipeline.

Border Control
2014 52cm x 52cm x 5cm
sculpture: wire, paper-mache and archival photo decoupage

Refugees can pay traffickers substantial amounts of money to escape troubles in their countries and for the promise of a safe place to live but first they must survive the journey. In 2013, a boat crammed with people left Libya and sank off the coast of Lampedusa, Italy killing over 360 men, women and children reportedly from Palestine and Syria. Sadly, this tragic event has repeated numerous times since then, highlighting the incredible risks people are continuing to take. The subject of migration is a hot topic in many areas of the world: Australia with its' controversial offshore detention centres, the ongoing problems in Calais, France with migrants trying to advance further into Europe and the recent amnesty granted by Obama to millions of so-called  illegal immigrants. Border Control offers another subject which strongly divides opinion.

.  Lastly, the Climate series highlights environmental topics such as global coral bleaching events; chronic pollution as a heavy cost for economic power in China; melting ice caps; the opposing views of climate change; El Niño; and the legacy of radiation from Japan’s nuclear disaster in Fukushima.

Too Much, Too Little
59cm x 48cm x 5cm
sculpture: wire, paper-mache and archival photo decoupage

Too Much, Too Little is all about water, the lack of and an over abundance of water. Extreme weather phenomenon: drought, fire and floods. 2013 -2014 saw some of the worst floods in the UK whilst parts of Australia, Namibia and the US were ravaged by drought. Scientists argue for and against the idea that these extremes are a result of climate change.


eXTReMe Tracker